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Harlem Renaissance Cotton Club Fashion

Harlem's urban location gave an opportunity for African Americans of all backgrounds to appreciate the diversity of Black life and culture. The Harlem Renaissance promoted a fresh awareness for folk traditions and culture via this manifestation. For example, traditional elements and spirituals offered a fertile ground for creative and intellectual innovation, liberating Blacks from the shackles of the past. By sharing these cultural experiences, a consciousness manifested itself in the shape of a shared racial identity. Criticism directed against the movement

Natural catastrophes in the south in 1915 and 1916 displaced Black labourers and sharecroppers. Additionally, immigration to the United States decreased during and after World War I, and northern recruiters traveled south to woo Black employees to their enterprises. By 1920, about 300,000 African Americans had relocated from the South, and Harlem was a favorite location for these families.

The Harlem Renaissance was a watershed moment in African-American cultural history. It aided African American authors and artists in gaining more influence over how Black culture and experience are represented, as well as establishing a foothold in Western high culture. Additionally, the Harlem Renaissance provided the framework for all subsequent African American writing, and it had a profound effect on global Black awareness. The movement is said to have originated about 1918 and lasted until 1937. Its most fruitful years were the 1920s, but the movement's strength waned during the Great Depression (1929–39). Although the Harlem Renaissance ethos persisted into the 1930s, Arna Bontemps's first novel, God Sends Sunday (1931), is often regarded as the movement's last work.

Alain LeRoy Locke, commonly known as the âDean of the Harlem Renaissance,â wrote The New Negro: An Interpretation, a 1925 collection of fiction, poetry, and essays on African and African American culture. It included fiction by Langston Hughes, Jean Toomer, and Zora Neale Hurston, as well as several articles on middle- and working-class African Americans' real-life experiences. Fashion

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